{"id":93,"date":"2023-02-22T11:18:18","date_gmt":"2023-02-22T11:18:18","guid":{"rendered":"https:\/\/michaelsomoroff.org\/?page_id=93"},"modified":"2023-02-22T11:36:32","modified_gmt":"2023-02-22T11:36:32","slug":"publicaciones","status":"publish","type":"page","link":"https:\/\/michaelsomoroff.org\/index.php\/publicaciones\/","title":{"rendered":""},"content":{"rendered":"\n<div class=\"is-layout-flex wp-container-3 wp-block-columns alignwide\">\n<div class=\"is-layout-flow wp-block-column\" style=\"flex-basis:100%\">\n<div class=\"is-layout-constrained wp-block-group\">\n<p><strong>Publicaciones seleccionadas<\/strong><\/p>\n\n\n\n<ul>\n<li><em>The Vegetables Series.<\/em>&nbsp;International Center of Photography, 1985.<\/li>\n\n\n\n<li><em>Kinder in Europa.<\/em>&nbsp;Nicolai, 1988&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/ISBN_(identifier)\">ISBN<\/a>&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Special:BookSources\/9783875842227\">9783875842227<\/a>.<\/li>\n\n\n\n<li><em>The Vegetable Series<\/em>, International Center of Photography, New York, 1985<\/li>\n\n\n\n<li><em>Image of the Not-Seen: Search for Understanding.<\/em>&nbsp;The Rothko Chapel Art Series, 2005.&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/ISBN_(identifier)\">ISBN<\/a>&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Special:BookSources\/0945472048\">0945472048<\/a>.<\/li>\n\n\n\n<li><em>Michael Somoroff: Illumination I,<\/em>&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Rothko_Chapel\">Rothko Chapel<\/a>, Rothko Chapel Books, 2008.&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/ISBN_(identifier)\">ISBN<\/a>&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Special:BookSources\/9780979091605\">9780979091605<\/a>.<\/li>\n\n\n\n<li><em>Absence of Subject.<\/em>&nbsp;Walter K\u00f6nig, 2011.&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/ISBN_(identifier)\">ISBN<\/a>&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Special:BookSources\/978-0983615606\">978-0983615606<\/a>.<\/li>\n\n\n\n<li><em>A Moment. Master Photographers, Portraits by Michael Somoroff.<\/em>&nbsp;Damiani, 2012.&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/ISBN_(identifier)\">ISBN<\/a>&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Special:BookSources\/9788862082112\">9788862082112<\/a>.<\/li>\n\n\n\n<li><em>Two Crowns of The Egg.<\/em>&nbsp;Michael Somoroff,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Donald_Kuspit\">Donald Kuspit<\/a>,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Giannina_Braschi\">Giannina Braschi<\/a>, Damiani, 2014.&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/ISBN_(identifier)\">ISBN<\/a>&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Special:BookSources\/9788862083539\">9788862083539<\/a>.<\/li>\n\n\n\n<li>The Eyes magazine special publication, Michael Somoroff, Absence of Subject, PhotoPlastik, 2014<\/li>\n<\/ul>\n\n\n\n<p><strong>Exposiciones seleccionadas<\/strong><\/p>\n\n\n\n<ul>\n<li>1978: Rizzoli International,&nbsp;<em>Michael Somoroff,&nbsp;<\/em>New York City<\/li>\n\n\n\n<li><em>1980<\/em>:&nbsp;<em>The Vegetable Series,<\/em>&nbsp;The International Center for Photography, New York City<\/li>\n\n\n\n<li>1980: Photokina,&nbsp;<em>Sixty years of Photography<\/em>, Cologne, Germany<\/li>\n\n\n\n<li>1985:&nbsp;<em>The Vegetable Series<\/em>, Olympus Galerie, Hamburg, Germany&nbsp;<\/li>\n\n\n\n<li>1985: Photokina,&nbsp;<em>Modern Color Photography<\/em>, curated by Manfred Heiting, K\u00f6ln, Germany<\/li>\n\n\n\n<li>1985:&nbsp;<em>The Vegetable Series<\/em>, Olympus Galerie, Amsterdam, Netherlands<\/li>\n\n\n\n<li>1986: Frankfurt Kunstverein,&nbsp;<em>Men Seeing Men<\/em>, Frankfurt, Germany<\/li>\n\n\n\n<li>1986:&nbsp;<em>SOMOROFF: Moving Nudes<\/em>, Perrain Gallerie, Paris, France<\/li>\n\n\n\n<li>1994:&nbsp;<em>AICP Exhibition&nbsp;<\/em>(Association of Independant Commercials Producers) Los Angeles, County Museum of Art, Los Angeles, CA, USA. Detroit Institute of Art, Detroit, MI, USA.<\/li>\n\n\n\n<li>Museum of Contemporary Art, Chicago, IL, USA.<\/li>\n\n\n\n<li>High Museum of Art, Atlanta, Ga, USA.<\/li>\n\n\n\n<li>Honolulu Academy of Arts, Honolulu, HI, USA.<\/li>\n\n\n\n<li>State Museum of Technique and Design, Warsaw. Museum of Design and the ARCHA Theatre, Prague.<\/li>\n\n\n\n<li>State Gallery of Art, Sopot, Poland.<\/li>\n\n\n\n<li>Mucsarnok Palace of Art, Budapest.<\/li>\n\n\n\n<li>1996:&nbsp;<em>AICP Exhibiton&nbsp;<\/em>(Association of Independant Commercials Producers)<\/li>\n\n\n\n<li>Los Angeles County Museum of Art, Los Angeles, CA, USA.<\/li>\n\n\n\n<li>The San Francisco Museum of Modern Art, San Francisco, CA, USA. Detroit Institute of Art, Detroit, MI, USA.<\/li>\n\n\n\n<li>Museum of Contemporary Art, Chicago, IL, USA.<\/li>\n\n\n\n<li>High Museum of Art, Atlanta, GA, USA.<\/li>\n\n\n\n<li>Honolulu Academy of Arts, Honolulu, HI, USA.<\/li>\n\n\n\n<li>State Museum of Technique and Design, Warsaw, Poland.<\/li>\n\n\n\n<li>Museum of Design and the ARCHA Theatre, Prague, Czech Republic. State Gallery of Art, Sopot, Poland.<\/li>\n\n\n\n<li>Mucsarnok Palace of Art, Budapest.<\/li>\n\n\n\n<li>2003:&nbsp;<em>\u201cConsciousness and Process, The Digital in Sculpture, Photography, Animation.<\/em>\u201d Michael Rees &amp; Michael Somoroff, Silvermine Guild Art Center, New Canaan, CT, USA.<\/li>\n\n\n\n<li>\u201c<em>Digital Consciousness, Michael Somoroff, Michael Rees<\/em>\u201d during Art Cologne Dieter Zeibig, K99, K\u00f6ln, Germany<\/li>\n\n\n\n<li>\u201c<em>The Physics of Spirituality<\/em>\u201d, Westwood Gallery, Soho, New York City, USA.<\/li>\n\n\n\n<li>2005:&nbsp;<em>Touch and Temperament<\/em>, Steve Sacks\/Bitforms Gallery, ARCO, Madrid<\/li>\n\n\n\n<li>2005:&nbsp;<em>Integrating the Digital Consciousness<\/em>, Art Houston, Houston, Texas, USA, Deborah Colton Gallery, in collaboration with Steven Sacks.<\/li>\n\n\n\n<li>2005:&nbsp;<em>Michael Rees, Michael Somoroff, Yael Kanarek &amp; Manfred Mohr:<\/em>&nbsp;<em>Consciousness and Process, The Digital in Sculpture, Photography, Animation<\/em>&nbsp;Deborah Colton Gallery, Houston, Texas<\/li>\n\n\n\n<li>\u00b72006:&nbsp;<em>Illumination<\/em>,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Rothko_Chapel\">Rothko Chapel<\/a>, Houston, Texas, 2006;&nbsp;<em>Illumination<\/em>, The Aldrich Contemporary Art Museum, Ridgefield, CT, 2007; BravinLee Programs, Chelsea, New York City, NY, 2007;&nbsp;<em>Illumination<\/em>, OMI International Art Center, Sculpture park, Ghent, NY, 2008-2012<\/li>\n\n\n\n<li>2007:&nbsp;<em>Vitamin W<\/em>, The Wonder Factor, Newark, New Jersey, USA<\/li>\n\n\n\n<li>Abu Dhabi Art Fair,&nbsp;<em>Collective Work<\/em>, Abu Dhabi, Emirates Palace<\/li>\n\n\n\n<li>2008:&nbsp;<em>The Red Sea<\/em>,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Kunst-Station_Sankt_Peter\">Kunst-Station Sankt Peter<\/a>, K\u00f6ln, Germany<\/li>\n\n\n\n<li>2008:&nbsp;<em>Genesis<\/em>, Video Animation during Easter Mass, Kunst-Station Sankt Peter, K\u00f6ln, Germany<\/li>\n\n\n\n<li>2008-2015:&nbsp;<em>Illumination 1<\/em>, OMI International Art Center, Sculpture park, Ghent, NY<\/li>\n\n\n\n<li>2008:&nbsp;<em>Absence of the Subject<\/em>, Fotofest Houston, Offsite, Houston, Texas, 2008; 2011:&nbsp;<em>Absense of Subject<\/em>, Piazza San Marco, on the occasion of the&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Venice_Biennale\">Venice Biennale<\/a>, Venice, Italy<\/li>\n\n\n\n<li>2012:&nbsp;<em>Tefillah 1<\/em>, Art Basel, Galerie Thomas Schulte, Basel, Switzerland<\/li>\n\n\n\n<li>2012:&nbsp;<em>Absence of Subject<\/em>, Villa Brandolini F4 Un\u2019Idea di Fotografia, Solighetto-Treviso, Italy,<\/li>\n\n\n\n<li>2012:&nbsp;<em>Absence of Subject<\/em>, Gallerie Image, Aarhus, Denmark<\/li>\n\n\n\n<li>2012:&nbsp;<em>Tefillah I<\/em>, Galerie Thomas Schulte, Berlin, Germany<\/li>\n\n\n\n<li>2013:&nbsp;<em>Absence of Subject,<\/em>&nbsp;Fondazione Stelline, Milan, Italy<\/li>\n\n\n\n<li>2013:&nbsp;<em>Absence of Subject<\/em>, Centro de Arte la Regenta, Las Palmas de Gran Canaria, Spain<\/li>\n\n\n\n<li>2013:&nbsp;<em>Absence of Subject,<\/em>&nbsp;Tenerife Espacio de las Artes, Tenerife, Spain,&nbsp;<\/li>\n\n\n\n<li>2013:&nbsp;<em>Absence of Subject<\/em>, Sala Municipal de Exposiciones de las Francesas, Valladolid, Spain<\/li>\n\n\n\n<li>2013:&nbsp;<em>Master Photographers<\/em>, Galerie Julian Sander, Bonn, Germany,&nbsp;<\/li>\n\n\n\n<li>2013;&nbsp;<em>Master Photographers<\/em>, Fondazione Francesco Fabbri, Treviso, Italy,<\/li>\n\n\n\n<li>2014:&nbsp;<em>Portraits and Nudes<\/em>, Paris Photo, Feroz Gallery, Paris, France<\/li>\n\n\n\n<li>2014:&nbsp;<em>Absence of Subject<\/em>, Museo Nacional des Artes Visuales, Montevideo, Uruguay<\/li>\n\n\n\n<li>2014:&nbsp;<em>Absence of Subject<\/em>, Encuentros Abiertos in Buenos Aires, Argentina<\/li>\n\n\n\n<li>2014:&nbsp;<em>Absence of Subject<\/em>, Sirius Arts Centre, Cork, Ireland<\/li>\n\n\n\n<li>2014:&nbsp;<em>Absence of Subject<\/em>, Benaki Museum, Athens, Greece<\/li>\n\n\n\n<li>2014:&nbsp;<em>Retrospective<\/em>, MIA Art Fair, Milan, Italy<\/li>\n\n\n\n<li>2014: Paris Photo Los Angeles,&nbsp;<em>mixed collection<\/em>, Julian sander Gallerie<\/li>\n\n\n\n<li>2015:&nbsp;<em>Absence of Subject<\/em>, Villa Vauban, Luxembourg City Museum<\/li>\n\n\n\n<li>2015:&nbsp;<em>Absence of Subject<\/em>, Ruth Leuchter gallery, D\u00fcsseldorf, Germany<\/li>\n\n\n\n<li>2015:&nbsp;<em>Master Photographers<\/em>, \u200bSol Mednick Gallery at the University of the Arts in Philadelphia<\/li>\n\n\n\n<li>2015: Installation&nbsp;<em>Video<\/em>: Inauguration of the Wyss Z\u00fcrich Translational Center ETH Z\u00fcrich and University of Z\u00fcrich<\/li>\n\n\n\n<li>2021:&nbsp;<em>Absence of Subject<\/em>, UnSeen, Amsterdam, Netherlands<\/li>\n<\/ul>\n\n\n\n<p><strong>Premios<\/strong><\/p>\n\n\n\n<ul>\n<li>1987 Premio Kodak al mejor libro de fotograf\u00eda del a\u00f1o,&nbsp;<em>Kinder of Europe&nbsp;<\/em><\/li>\n\n\n\n<li>1994 Medalla de Oro de la Association of Independent Commercial Producers (AICP), Museum of Modern Art, New York, USA<\/li>\n\n\n\n<li>1996 Association of Independent Commercial Producers (AICP) Gold Metal, Museum of Modern Art, New York, USA<\/li>\n\n\n\n<li>1984-1985 Varios leones de Oro y Bronce,&nbsp;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Cannes_Lions_International_Festival_of_Creativity\">Cannes Lions International Festival of Creativity<\/a>&nbsp;<\/li>\n\n\n\n<li>2012: Premio American Photo a los mejores libros de fotograf\u00eda del a\u00f1o,&nbsp;<em>A Moment. Master Photographers: Portraits by Michael Somoroff&nbsp;<\/em><\/li>\n\n\n\n<li>Clio, Andy Awards,&nbsp; CA Awards, Mobius Awards, Canadian Besse Award, New York Art Directors Club, Society of Publication Designers Award<\/li>\n<\/ul>\n\n\n\n<p><strong>Honores<\/strong><\/p>\n\n\n\n<ul>\n<li>Artista residente oficial en el Wyss Translation Center de la Universidad de Z\u00farich y consultor de comunicaci\u00f3n en colaboraci\u00f3n con la ETH (Swiss Federal Institute of Technology).<\/li>\n\n\n\n<li>Director Ejecutivo de la New Light Foundation, Jerusal\u00e9n, Israel<\/li>\n\n\n\n<li>Miembro de la Junta Directiva de Nueva York, The Sculptor\u2019s Guild of America<\/li>\n\n\n\n<li>Miembro honorario del Comit\u00e9 Ejecutivo, Sculpture Center, Queens, Nueva York<\/li>\n\n\n\n<li>Miembro honorario del jurado del Director\u2019s Guild of America Film Festival<\/li>\n\n\n\n<li>Miembro del Director\u2019s Guild of America<\/li>\n<\/ul>\n\n\n\n<p><strong>Becas<\/strong><\/p>\n\n\n\n<ul>\n<li>1979: Eastman Kodak Co. \u2013&nbsp;<em>The Philharmonic Project<\/em><\/li>\n\n\n\n<li>1979: Nikon Corporation, \u2013&nbsp;<em>The Philharmonic Project<\/em><\/li>\n\n\n\n<li><em>1980:&nbsp;<\/em>Spring Mills Corporation Installation<\/li>\n<\/ul>\n\n\n\n<p><strong>Colaboraciones editoriales<\/strong><\/p>\n\n\n\n<ul>\n<li><em>Abschied von der Realit\u00e4t<\/em>, por Joachim Koch, Rowohlt Verlag 1988<\/li>\n\n\n\n<li>2006:&nbsp;<em>You Should See Yourself, Jewish Identity in Post Modern American Culture<\/em>&nbsp;por Vincent Brook, Rutgers University Press, 2006<\/li>\n\n\n\n<li><em>Art Kane por<\/em>&nbsp;Jonathan Kane, Holly Anderson, Michael Somoroff, Peter Doggett<\/li>\n\n\n\n<li><em>Maripol Polaroids<\/em>, por Maripol, por Michael Somoroff<\/li>\n<\/ul>\n\n\n\n<p><strong>Ferias de arte<\/strong><\/p>\n\n\n\n<p>Arco, Art Basil, Mia, The Armory, Paris Photo, Photokina, Photofest Houston, UnSeen Amsterdam&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><strong>Referencias<\/strong><\/p>\n\n\n\n<ul>\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-1\"><strong>^<\/strong><\/a>&nbsp;<em>Terranova, Amber (April 2014).&nbsp;<\/em><a href=\"https:\/\/www.newyorker.com\/culture\/photo-booth\/the-subject-of-no-subject\"><em>\u00abThe Subject of No Subject\u00bb<\/em><\/a><em>.&nbsp;The New Yorker. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-2\"><strong>^<\/strong><\/a>&nbsp;<em>Segal, David (2011-10-08).&nbsp;<\/em><a href=\"https:\/\/www.nytimes.com\/2011\/10\/09\/business\/in-food-commercials-flying-doughnuts-and-big-budgets.html\"><em>\u00abGrilled Chicken, That Temperamental Star\u00bb<\/em><\/a><em>.&nbsp;The New York Times.&nbsp;<\/em><a href=\"https:\/\/en.wikipedia.org\/wiki\/ISSN_(identifier)\"><em>ISSN<\/em><\/a><a href=\"https:\/\/www.worldcat.org\/issn\/0362-4331\"><em>0362-4331<\/em><\/a><em>. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-3\"><strong>^<\/strong><\/a>&nbsp;<a href=\"http:\/\/galeriejuliansander.de\/artists\/ben-somoroff\/\"><em>\u00abBen-somoroff\u00bb<\/em><\/a><em>. 8 February 2017.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-4\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/www.moma.org\/artists\/61627\"><em>\u00abBen Somoroff\u00bb<\/em><\/a><em>.&nbsp;The Museum of Modern Art. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-5\"><strong>^<\/strong><\/a>&nbsp;<em>Selsin, Suzanne (10 October 1979).&nbsp;<\/em><a href=\"https:\/\/www.nytimes.com\/1979\/10\/10\/archives\/one-mans-view-of-cutup-vegetables.html\"><em>\u00abOne Man\u2019s View Of Cut\u2010Up Vegetables\u00bb<\/em><\/a><em>.&nbsp;The New York Times.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-:0_6-0\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/www.icp.org\/content\/somoroff-the-vegetable-series\"><em>\u00abSomoroff, the vegetable series\u00bb<\/em><\/a><em>.&nbsp;International Center of Photography. 2016-05-17. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-7\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/www.loenke.com\/interviews-en\/a-moment-with-michael-somoroff\/\"><em>\u00ab\u00bbA Moment\u00bb with Michael Somoroff\u00bb<\/em><\/a><em>.&nbsp;LOENKE magazine. 2016-06-05. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-8\"><strong>^<\/strong><\/a>&nbsp;<em>Segal, David (8 October 2011).&nbsp;<\/em><a href=\"https:\/\/www.nytimes.com\/2011\/10\/09\/business\/in-food-commercials-flying-doughnuts-and-big-budgets.html\"><em>\u00abIn Food Commercials, Flying Doughnuts and Big Budgets\u00bb<\/em><\/a><em>.&nbsp;The New York Times.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-9\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/www.ai-ap.com\/publications\/article\/4174\/master-photographers-by-michael-somoroff.html\"><em>\u00abAI-AP | DART&nbsp;\u00bb Master Photographers by Michael Somoroff\u00bb<\/em><\/a><em>.&nbsp;www.ai-ap.com. Retrieved&nbsp;2023-02-15.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-Bard_2007_10-0\"><strong>^<\/strong><\/a>&nbsp;<em>Bard, Elizabeth (June 17, 2007).&nbsp;<\/em><a href=\"https:\/\/query.nytimes.com\/gst\/fullpage.html?res=9A00E0D7173FF934A25755C0A9619C8B63\"><em>\u00abART; A 50-Year-Old Upstart Redefines \u2018Emerging&#8217;\u00bb<\/em><\/a><em>.&nbsp;The New York Times. Retrieved&nbsp;May 31,&nbsp;2016.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-11\"><strong>^<\/strong><\/a>&nbsp;<a href=\"http:\/\/ilicensemusic.com\/license\/rrich-illum\"><em>\u00abLicense a song from the album \u00abIllumination\u00bb by Robert Rich\u00bb<\/em><\/a><em>.&nbsp;ilicensemusic.com. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-12\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/www.gettyimages.com\/detail\/news-photo\/somoroff-michael-artist-usa-in-front-of-his-wooden-news-photo\/545016673\"><em>\u00abSomoroff, Michael \u2013 Artist, USA \u2013 in front of his wooden sculpture\u2026\u00bb<\/em><\/a><em>Getty Images. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-Terranova_2014_13-0\"><strong>^<\/strong><\/a>&nbsp;<em>Terranova, Amber (March 1, 2014).&nbsp;<\/em><a href=\"http:\/\/www.newyorker.com\/culture\/photo-booth\/the-subject-of-no-subject\"><em>\u00abThe Subject of No Subject\u00bb<\/em><\/a><em>.&nbsp;The New Yorker. Retrieved&nbsp;May 31,&nbsp;2016.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-14\"><strong>^<\/strong><\/a>&nbsp;<em>Dyer, Geoff (2017-10-11).&nbsp;<\/em><a href=\"https:\/\/www.nytimes.com\/2017\/10\/11\/magazine\/the-photographer-who-saw-americas-monuments-hiding-in-plain-sight.html\"><em>\u00abThe Photographer Who Saw America\u2019s Monuments Hiding in Plain Sight\u00bb<\/em><\/a><em>.&nbsp;The New York Times.&nbsp;<\/em><a href=\"https:\/\/en.wikipedia.org\/wiki\/ISSN_(identifier)\"><em>ISSN<\/em><\/a><a href=\"https:\/\/www.worldcat.org\/issn\/0362-4331\"><em>0362-4331<\/em><\/a><em>. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-15\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/wsimag.com\/art\/2284-sander-and-somoroff-absence-of-subject\"><em>\u00abSander and Somoroff. Absence of Subject\u00bb<\/em><\/a><em>.&nbsp;Wall Street International. 2013-03-01. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-Arts_16-0\"><strong>^<\/strong><\/a>&nbsp;<em>Arts, The Museum of Fine.&nbsp;<\/em><a href=\"https:\/\/web.archive.org\/web\/20160701214830\/https:\/collections.mfah.org\/art\/search?nationality=American&amp;artist=Michael+Somoroff\"><em>\u00abThe Museum of Fine Arts\u00bb<\/em><\/a><em>.&nbsp;MFAH. Archived from&nbsp;<\/em><a href=\"https:\/\/collections.mfah.org\/art\/search?nationality=American&amp;artist=Michael+Somoroff\"><em>the original<\/em><\/a><em>&nbsp;on July 1, 2016. Retrieved&nbsp;May 31,&nbsp;2016.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-17\"><strong>^<\/strong><\/a>&nbsp;Evergreen Review video&nbsp;<a href=\"https:\/\/web.archive.org\/web\/20150402121638\/http:\/www.evergreenreview.com\/128\/review_us_of_banana.shtml\"><em>\u00abEvergreen Review\u00bb<\/em><\/a><em>. Archived from&nbsp;<\/em><a href=\"http:\/\/www.evergreenreview.com\/128\/review_us_of_banana.shtml\"><em>the original<\/em><\/a><em>&nbsp;on 2015-04-02. Retrieved&nbsp;2015-03-27.<\/em>, New York, 2011<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-18\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/upittpress.org\/books\/9780822946182\/\"><em>\u00abPoets, Philosophers, Lovers: On the Writings of Giannina Braschi\u00bb<\/em><\/a><em>.&nbsp;upittpress.org. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-19\"><strong>^<\/strong><\/a>&nbsp;<a href=\"http:\/\/www.wysszurich.uzh.ch\/people\/faculty\/\"><em>\u00abFaculty\u00bb<\/em><\/a><em>.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-Dispatch_20-0\"><strong>^<\/strong><\/a>&nbsp;<em>Feran, Tim (February 9, 2015).&nbsp;<\/em><a href=\"http:\/\/www.dispatch.com\/content\/stories\/business\/2015\/02\/09\/longaberger-president-exits.html\"><em>\u00abLongaberger president exits after 6 months\u00bb<\/em><\/a><em>.&nbsp;Columbus Dispatch. Retrieved&nbsp;May 9,&nbsp;2017.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-Stelline_2013_21-0\"><strong>^<\/strong><\/a>&nbsp;<a href=\"http:\/\/www.stelline.it\/it\/la-fondazione\/mostre\/archivio-mostre\/august-sander-michael-somoroff-assenza-di-soggetto.html\"><em>\u00abAugust Sander e Michael Somoroff. Absence of Subject\u00bb<\/em><\/a><em>.&nbsp;Stelline&nbsp;(in Italian). January 1, 2013. Retrieved&nbsp;May 31,&nbsp;2016.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-22\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/web.archive.org\/web\/20150812104029\/http:\/www.benaki.gr\/index.asp?lang=en&amp;id=20205&amp;sid=1425\"><em>\u00abBenaki Museum&nbsp;: VISIT \/ EXHIBITIONS\u00bb<\/em><\/a><em>. Archived from&nbsp;<\/em><a href=\"http:\/\/www.benaki.gr\/index.asp?lang=en&amp;id=20205&amp;sid=1425\"><em>the original<\/em><\/a><em>on 2015-08-12. Retrieved&nbsp;2016-05-31.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-Somoroff_2015_23-0\"><strong>^<\/strong><\/a>&nbsp;<em>Somoroff, Michael (September 13, 2015).&nbsp;<\/em><a href=\"http:\/\/villavauban.lu\/en\/exhibition\/august-sander-michael-somoroff\/\"><em>\u00abAbsence of Subject\u00bb<\/em><\/a><em>.&nbsp;Villa Vauban. Retrieved&nbsp;May 31,&nbsp;2016.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-24\"><strong>^<\/strong><\/a>&nbsp;<a href=\"http:\/\/ilicensemusic.com\/license\/rrich-illum\"><em>\u00abLicense a song from the album \u00abIllumination\u00bb by Robert Rich\u00bb<\/em><\/a><em>.&nbsp;ilicensemusic.com. Retrieved&nbsp;2023-02-15.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-25\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/www.gettyimages.com\/detail\/news-photo\/somoroff-michael-artist-usa-in-front-of-his-wooden-news-photo\/545016673\"><em>\u00abSomoroff, Michael \u2013 Artist, USA \u2013 in front of his wooden sculpture\u2026\u00bb<\/em><\/a><em>Getty Images. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-Terranova_20142_26-0\"><strong>^<\/strong><\/a>&nbsp;<em>Terranova, Amber (March 1, 2014).&nbsp;<\/em><a href=\"http:\/\/www.newyorker.com\/culture\/photo-booth\/the-subject-of-no-subject\"><em>\u00abThe Subject of No Subject\u00bb<\/em><\/a><em>.&nbsp;The New Yorker. Retrieved&nbsp;May 31,&nbsp;2016.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-27\"><strong>^<\/strong><\/a>&nbsp;<em>Dyer, Geoff (2017-10-11).&nbsp;<\/em><a href=\"https:\/\/www.nytimes.com\/2017\/10\/11\/magazine\/the-photographer-who-saw-americas-monuments-hiding-in-plain-sight.html\"><em>\u00abThe Photographer Who Saw America\u2019s Monuments Hiding in Plain Sight\u00bb<\/em><\/a><em>.&nbsp;The New York Times.&nbsp;<\/em><a href=\"https:\/\/en.wikipedia.org\/wiki\/ISSN_(identifier)\"><em>ISSN<\/em><\/a><a href=\"https:\/\/www.worldcat.org\/issn\/0362-4331\"><em>0362-4331<\/em><\/a><em>. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-28\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/wsimag.com\/art\/2284-sander-and-somoroff-absence-of-subject\"><em>\u00abSander and Somoroff. Absence of Subject\u00bb<\/em><\/a><em>.&nbsp;Wall Street International. 2013-03-01. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-Arts2_29-0\"><strong>^<\/strong><\/a>&nbsp;<em>Arts, The Museum of Fine.&nbsp;<\/em><a href=\"https:\/\/web.archive.org\/web\/20160701214830\/https:\/collections.mfah.org\/art\/search?nationality=American&amp;artist=Michael+Somoroff\"><em>\u00abThe Museum of Fine Arts\u00bb<\/em><\/a><em>.&nbsp;MFAH. Archived from&nbsp;<\/em><a href=\"https:\/\/collections.mfah.org\/art\/search?nationality=American&amp;artist=Michael+Somoroff\"><em>the original<\/em><\/a><em>&nbsp;on July 1, 2016. Retrieved&nbsp;May 31,&nbsp;2016.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-:02_30-0\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/www.icp.org\/content\/somoroff-the-vegetable-series\"><em>\u00abSomoroff, the vegetable series\u00bb<\/em><\/a><em>.&nbsp;International Center of Photography. 2016-05-17. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-31\"><strong>^<\/strong><\/a>&nbsp;Evergreen Review video&nbsp;<a href=\"https:\/\/web.archive.org\/web\/20150402121638\/http:\/www.evergreenreview.com\/128\/review_us_of_banana.shtml\"><em>\u00abEvergreen Review\u00bb<\/em><\/a><em>. Archived from&nbsp;<\/em><a href=\"http:\/\/www.evergreenreview.com\/128\/review_us_of_banana.shtml\"><em>the original<\/em><\/a><em>&nbsp;on 2015-04-02. Retrieved&nbsp;2015-03-27.<\/em>, New York, 2011<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-32\"><strong>^<\/strong><\/a>&nbsp;<a href=\"https:\/\/upittpress.org\/books\/9780822946182\/\"><em>\u00abPoets, Philosophers, Lovers: On the Writings of Giannina Braschi\u00bb<\/em><\/a><em>.&nbsp;upittpress.org. Retrieved&nbsp;2020-04-29.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Michael_Somoroff%23cite_ref-33\"><strong>^<\/strong><\/a>&nbsp;<a href=\"http:\/\/www.wysszurich.uzh.ch\/people\/faculty\/\"><em>\u00abFaculty\u00bb<\/em><\/a><em>.<\/em><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Publicaciones seleccionadas Exposiciones seleccionadas Premios Honores Becas Colaboraciones editoriales Ferias de arte Arco, Art Basil, Mia, The Armory, Paris Photo, Photokina, Photofest Houston, UnSeen Amsterdam&nbsp; Referencias<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/michaelsomoroff.org\/index.php\/wp-json\/wp\/v2\/pages\/93"}],"collection":[{"href":"https:\/\/michaelsomoroff.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/michaelsomoroff.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/michaelsomoroff.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michaelsomoroff.org\/index.php\/wp-json\/wp\/v2\/comments?post=93"}],"version-history":[{"count":3,"href":"https:\/\/michaelsomoroff.org\/index.php\/wp-json\/wp\/v2\/pages\/93\/revisions"}],"predecessor-version":[{"id":100,"href":"https:\/\/michaelsomoroff.org\/index.php\/wp-json\/wp\/v2\/pages\/93\/revisions\/100"}],"wp:attachment":[{"href":"https:\/\/michaelsomoroff.org\/index.php\/wp-json\/wp\/v2\/media?parent=93"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}